Category: Savage Worlds

Hindrances, bennies, and Walter White

heisenberg-breaking-badAwarding bennies in Savage Worlds can sometimes be a pickle. A great rule of thumb for handing them out is whenever a player does something that moves the plot along. Another key suggestion is awarding bennies when PCs play up their hindrances. However you can get players at conflict with what would be a smart way of playing, and doing something rash that is more in line with their character’s persona.

Players want to be clever. They typically want to make the right decision and avoid doing a bonehead move. So this can sometimes be at odds with hindrances they’ve chosen for their character. On paper, taking something like Big Mouth might appeal to a character concept, but in actual play you might find a player avoiding situations where that hindrance would come into light (or at worse ignoring it completely).

An important thing a GM can do to encourage playing up personality hindrances is awarding bennies. If a player sticks to what their alter ego would do and complicate a situation, then hand out a bennie. Bennies offer this strange feedback loop with Savage Worlds. A PC will muck up a situation and get a bennie, however having more bennies means they can likely make a clutch roll when needed. It creates this dynamic cycle where ‘poor’ decisions create obstacles for the players, but they end up with more resources to overcome them.

How do you sell this concept to players though? Sadly, I think certain behavior is ground into a player’s head that they’ll be punished for a bad decision. If they initiate a plan of action closer to what is deemed prudent by the player than according to their character’s drive and motivations, it’s viewed as a better choice. As a GM, a lot of this can come down to the opposition and obstacles you put in their path resulting from what choices players make. Awarding bennies as previously mentioned is one way to entice them. However all of this seems to counter what likely a rational person would do in particular situations. That’s a key point you need to drill into players. They aren’t rational. They are big damn heroes with huge flaws.

One particularly great pop culture example of this idea is Walter White from the TV drama, Breaking Bad. Walter is a chemistry high school teacher and, for the uninitiated, he opts to start making crystal meth to help his family out after he’s diagnosed with cancer. His character is a smart guy, with a great analytical mind. However he has flaws. He has an ego and some could say he’s a bit greedy.

Continually in the show he takes courses of action that a man of his intelligence wouldn’t normally do. It’s his ego and emphasis of getting his ‘fair share’ of profits that drives him to make poor choices. Walter’s need to feed his ego is so great, that near the end of the show, it helps initiate a chain of horrendous events in his life. It’s a great character and an excellent example of how a smart, cunning persona can still make bad decisions based on flaws they have.

I’ve heard some complaints from GMs that mechanical hindrances like Lame or Anemic easier to run than personality hindrances in Savage Worlds. However I’d counter that with the bennie economy, it’s easier with personality hindrances. If players are really pushing events into interesting directions due to their hindrances, you can help them by awarding bennies. Otherwise, it’s up to you as a GM making a call if players have sufficiently driven the plot forward to hand them out. With personality hindrances, there can be more opportunities to award bennies.

That’s my take on bennies and hindrances for Savage Worlds. So next game you run, keep a list of your PC’s hindrances handy. Be on the lookout for chances where you can award bennies to players that do something aligned with their flawed motivations. Try to be flexible with obstacles and challenges that might pop up as players do crazy things dictated by their quirks. If anything, it’ll make for some memorable sessions.

6th Gun Savage Worlds Setting

6thGunRPGThose that check my blog out regularly know I love me some 6th gun. It’s a great comic and a setting I mined for my own Weird West game. Deadlands is cool but it’s a little too out there with spooky and steampunk stuff in the setting. I opted for an alternate history with some supernatural bits thrown in.

What I like about 6th gun is for the most part it’s the world today with a smattering of the supernatural. The players themselves are knee deep in it, but the world around them only occasionally steps into the boundaries of this alternate spiritual world. I see it as a little easier fit that Deadlands, which to me needs a bit more work conveying the setting. Deadlands is certainly the wild west, but there are a lot of changes to the landscape. 6th Gun doesn’t have this issue.

While people could dabble in the game setting, I expect it could serve as a great epic campaign too. For folks unfamiliar with the comic, the story revolves around the acquisition of 6 guns which give the wielders supernatural powers. I cant totally see a game where players focus on a single gun, or try to wrestle a larger story where all 6 come into the picture and the greater implications of their role in the fate of the world. There is a lot to toy around with here.

So the kickstarter campaign is running along and has reached it’s funding goal. It’s all extras from here on out and some look nice. I particularly like that there are add-ons that incorporate picking up the comic, and those minis look pretty cool too.

If you want to dabble in a supernatural western setting, this looks like a good fit. While not quite as gonzo as Deadlands, 6th Gun should still scratch that itch of the wild west with one foot firmly planted in creepy territory, and not sway too far into steampunk like Deadlands does. Might be worth a gander for folks.

Drawing villains from PC back stories

So you are sketching out a new campaign and drafting up a list of villains, trying to figure out their motivations and what drives them. Sometimes you will blank out on new ideas or potentially start recycling villains. To get around this consider looking over your character’s backgrounds and see if there is any synergy to incorporate their past with NPC villains you are making up.

For my weird west game I had a few general ideas of the villainous movers and shakers in the alternate 1870’s world I was crafting, including some evil organizations. As a first adventure, I set about the players being asked to deliver a holy artifact after being betrayed by a trail guide. However, I only had the barest of ideas though and needed to solidify a few main villains for the game. Tasked with this I scoured over the backgrounds of my players to get a few ideas for evil NPCs.

I fell in love with the 6th Gun comic and really dug the idea of a relentless group of undead soldiers. One of my players was a former soldier so I prodded him for a few more details. He saw himself from a long line of farmers that bred horses. His family and farm got wrapped up in the Civil War and he found himself fighting for more out of defending his home than for political reasons. At the conclusion of the war as it ground to a stalemate and eventual truce, he lost his family and land when it became territory for the other side. Losing everything he became a despondent snake oil salesman out west, more keen on drinking laudanum than selling his wares.

Sixth-Gun-concept-art02Getting that background, I asked for more from him. Of course he was a former cavalry officer, so I asked for more details on his commanding officer during the war. The only bit of solid information I requested would be that officer was someone the PC despised and thought sadistic. The result from him was Major Clancy ‘Buck’ Futter. A gross glutton with an enormous gut that nearly buckled any horse he rode. Joking aside with the nickname, this got my mind running with ideas.

I latched onto that key characteristic of a fat glutton and the idea of someone with a ravenous hunger surfaced. I envisioned the unit near the end of the war getting caught up in a siege. Cut off, surrounded by an enemy army with winter set in, Major Clancy Futter ordered the horses to be eaten. Starving still for weeks, some rumors in the fort fell about that wounded soldiers were quietly disappearing. When the enemy finally stormed the fort, the player had escaped believing his commanding officer was killed in the battle. All of this back information the player knew about.

What my player didn’t know was that Major Clancy Futter survived. Aching with hunger and fearful of starving to death, he was enticed into invoking a ritual of dark magic with some of his men following suit. Culminating this foul ritual by eating human flesh, he would transform and be undying. It was successful but he was cursed with the wendigo. Forever alive, he would be driven with a ravenous hunger that could only be sated for a short time by consuming human flesh. His cadre of men around him were also cursed with this affliction.

That villain stuck out for the campaign. One of the first clashes the group was at a church, the group inside surrounded by men on horseback. Unable to enter the hallowed ground they called for the PCs to throw out a holy artifact they wanted. My snake oil salesman player quipped something back. I then described some of the men parting and a gaunt fellow riding slowly forward. Despite its emaciated frame covered with a tattered uniform and cavalry officer hat adorning its head, it still had a grotesque paunch of a gut. The villain called out the PC by name, ‘Cyrus McClintock! That you in there? So you made it out of Fort Bean alive.‘ Trust me, jaws dropped at the table as players realized someone in the group had dealings with this creature before.

A small idea from a player back story cemented into a foundation of being a major villain for the game. It became a driving, relentless evil force, ever pursuing the PCs. Additionally it was taken from a player’s past and was a way of drawing that PC into the world, as they had a shared history with the villain. Instead of me having to fill in the story, that player could step up around the table at that moment describing how they knew the NPC, and its likely intent.

So I encourage looking over your players’ back stories and try to mine it for adventure ideas. People and events of note in their past can easily become the villains for a campaign. Asking details from players on a name, description, and mannerisms all can help give the NPCs a life of their own. Best of all the players become part of the world building process for the campaign and become greater invested in the setting. So don’t try and force yourself to think up everything, allow the players to help carry that creative load.

Fiddling with the new Shaken rules

ErolOtusDruidA big announcement came out for Savage Worlds that the shaken rules were now being tweaked. Old rules were that if a shaken test was passed, the next turn they could act normally. On a raise they could act normal immediately. The new version gets rid of that with players (and extras) being able to act normal immediately if they pass a shaken test. Raises no longer matter.

I totally dig the new rules. It streamlines the process and reduces the fiddly bookkeeping of that extra passing their test and no longer being shaken, but not really as they still can’t act as normal until the following turn. Conditions now are truly either up, down, or off the table. I like that.

However it does hinder some tactics a little. Typical extras are now sitting on a 50-50 chance they’ll be unaffected by any shaken status players throw on them. Needing a raise to act normally really pushed making that shaken status a more lasting condition. Now it could be treated as a condition which can be ignored given recovery is instantaneous on a success passing a simple Spirit test.

I’m tweaking this some. For all tests to recover from shaken a -1 modifier is applied to the Spirit roll. This is a little nudge to the probabilities to make shaken last a bit longer, especially for extras. They effectively recover on a 5+ now.

What I like about this house rule is that leadership edges like Command and Inspire can have a place at the table. The importance of a D6 Spirit over a D4 for wildcards is lessened some, but there is still a slight advantage having a higher Spirit. Additionally putting a shaken condition on something still allows for a lasting penalty that can be taken advantage of by opponents.

So I’m adding this small house rule to my game. A quick -1 penalty to the check that allows for rapid resolution of a shaken condition and embraces the philosophy of Savage Worlds keeping it fast, furious, and fun.

Revisiting Dark Sun

A long while back I ran a Savage Worlds game using the Dark Sun setting. It was a fun game but we hemorrhaged a lot of players and decided to wrap it up. Since then I got a new group going (with a few long time players). They jumped into the weird west and occasionally dabbled in a 1920s Cthulhu game. However both of those campaigns eventually took a serious tone. I think we all wanted something with a little more action and a setting that embraced adventure a tad more.

Many of my players found the idea of a Dark Sun game intriguing. It’s fantasy but with a twist. The setting is dire but certainly allows for heroics. While they’ll entertain being mercenaries for a bit, I suspect they’ll heed the call for a higher, grander purpose. I totally expect a few sorcerer kings to be on their hit list. Dark Sun just really grabs their attention.

As for me, I felt I could certainly get more ideas for adventures flowing in this setting over my weird west game. So we’ll be visiting the scorching deserts of Athas soon using Savage Worlds. Something I’m really looking forward to.

Joesky Tax
Here’s a small mundane item you can throw into your desert-themed fantasy game…

Ember Water – A red, spicy, vodka-like drink made from the seeds of cactus. The thick round seeds are the size of a halfling’s fist and have fruit inside of a dark red color, with each pulp section covered in a soft, pliable, translucent membrane. A single fruit pulp section is placed in a shot glass of water. The coating of the fruit bursts due to osmotic pressure and much of the membrane dissolves in the water, allowing the fruit contents to mix. The result is a peppery drink of 30-40% alcohol that has a clear, deep red color.

The fruit and pulp seeds can be eaten, however while they do have some moisture and posses a high alcohol content, they are unpleasant to eat having an exceedingly bitter and spicy taste. If diluted in less water, the liquid is flammable but the drink becomes more bitter and is unpalatable. Yet some scoundrels have been known to make flammable firebombs in such a manner.
BromDarkSun

2014 state of blog address

Abraham_Lincoln_2nd_Inaugural_AddressEarlier this year marked a big milestone hitting 300 posts. Since then another year has passed by and I looked over my blog stats to get a feel for how 2014 went. When I first started blogging I was really focused on 4E D&D and doing a lot of posts related to running my games. That petered out some as I began to post my other gaming interests, including miniature wargames and board games. So looking over the traffic for 2014, I’ve come to some conclusions…

RPG posts are popular – No surprise here but RPG posts are the ones that get the most traffic. As I’ve waned some on posting RPG-centric posts, a decline in traffic has been noticed too. My wargame posts are likely too much of a gaming niche (and too generic) to garner much interest from folks.

D&D is king – I’m certain another decline with blog traffic is my shift away from D&D. I also realize there’s a draw to hearing about people starting campaigns, and tackling issues of running a game with a new system is narrative that resonates more than rehashing past games. There’s probably more of a drive for information about wanting to learn about playing a new game, rather than reading about systems they are comfortable running. I expect a popular topic for a lot of RPG blogs in 2015 will be stuff on 5E. There’s no getting around that.

Savage Worlds has some bite – I’ve been more focused on running Savage Worlds and the posts and reviews I’ve done for the game get a fair amount of traffic. Seems a couple of blog aggregators for Savage Worlds have also picked me up. Having a review for Broken Earth highlighted over on PEG’s site helped some too. Currently my group is happy with switching genres and going with more episodic campaigns, so SW fits the bill with keeping a uniform generic system for flipping back and forth with different games.

Board game reviews are decent – Despite not having the reach of RPG posts, board game reviews certainly have a draw. I throw my stuff up on Board Game Geek so that certainly doesn’t hurt drumming up traffic. I tend to review games I’ve vetted some before picking up for my collection. As such most of them are games I like. However occasionally I buy something on a whim and at times get a few lackluster games. I also dabbled a bit posting about various kickstarters, but unfortunately I seem to get a flood of requests to promote other campaigns. I’d love to highlight more stuff coming out in the community, but I do this as a hobby and with my limited time it’s hard to commit to promoting different crowd-funding projects.

In summary, I dig 5E and am eager to try it out but right now my gaming group is keen to do other stuff. I made a commitment to trim back my RPG purchases and only buy books I will play. I broke that getting the 5E Starter set but at $20 it’s pretty hard not to bite. I’m holding off getting the hardback books though. Playing 5E just isn’t in the cards for me right now.

Heh, I’m certain I’ll also lose a bunch of followers switching over to WordPress too. However Blogger just wasn’t doing it for me any more and I was having a hard time getting things to work with G+. I still need to check out a lot of my older posts, but for the most part everything seems to be working okay with the transfer. So I’ll just be chugging along here with posts on miniature wargaming and board games, occasionally throwing some RPG stuff into the mix. Unfortunately as I’m all over the place with gaming, it’s hard to capture an audience, especially as folks seem to have a primary interest in RPGs. I just have to accept I’ve slipped into being a tiny blog about gaming. And I’m okay with that.

Money in Savage Worlds

I’m not a fan of keeping track of money in games. A long time ago I used to dole out silver and gold coins, making sure my PCs kept track of the money they spent for ale and a night’s rest at the inn. I stopped doing that altogether in my games.

However money is still a motivator for some PCs. They want loot, or a means to acquire it through cash, so having some manner of wealth is something I needed. I just didn’t want to get mired down in individual dollars/gold coins/credits. For my 4E D&D game I took up the concept of chests of treasure. I simply awarded some abstract chest of treasure, a pile of coins, or just a share of wealth.

So for my Savage Worlds game, I adopted this as resolving wealth through shares. Shares are an abstract sum of wealth. They can be awarded in ½ increments. When players complete a job, or gain a significant amount of reward, they gain a share. A share is about $250 (or ½ the starting money a player gets during character generation), with ½ shares being roughly half that ($100-125).

Monthly income and expenses – I assume that every month a player goes through ½ a share. This is the gradual expenses of housing, food, upkeep of equipment, entertainment, etc. At the same time, if a player is not actively adventuring, they accumulate ½ a share. So the net income per month is zero. They are spending as much as they are earning.

I see this as a player spending time gathering spell components, income from odd jobs, money for pelts they’ve trapped, or the occasional sale they get from running some business they own. It all depends on the setting and the resources available to the player. Regardless, they get enough to pay the bills, keep a roof over their head, and their belly full.

Purchases – If they want to buy incidentals or some special equipment, I don’t worry if it’s under $100. I consider they have enough money on hand to cover the costs. Restocking arrows, buying flasks of oil, or repairing equipment, I just lump into typical monthly expenses. If they are making a larger purchase for special expensive equipment, that is when I dig into the players’ resources. Then I’ll have players spending shares in at least ½ increments, translating it to dollar amounts. So I don’t sweat the small stuff, it’s the larger purchases and expenses that hit the PCs in their purse strings.

Rewards – Most jobs are going to award each player one share. They might pick up more during the adventure, but one share is going to be the typical reward they’ll each get from a patron. Actively adventuring will cut into the time they would be spending gaining income through other means. At the end of the day, a player will be earning ½ a share in actual profits as they are going through ½ a share every month. So it’s a slow accumulation of wealth but players can earn a bit.

I like this as it leaves open more opportunities to give out rewards. Players might be charged with exploring a set of ruins. For such a task they’ll get one share from a patron. During the exploration they might come across treasure or some artifact that’ll fetch them even more money, allowing them to individually get another share (or a half).

I simply don’t bother with having players record every bit of wealth they get. If they stop a few bandits, in reality they might find a few dollars between them all however it’s not worth writing down. I end up hand-waving a lot of rewards. Players will always find just enough through your typical adventuring to pay for incidentals. It’s the completion of larger tasks that earn them enough reward to be considered a ‘share.’

Being Rich or Poor –These edges and hindrances can be a little tricky. For the wealthy edge I figure that a player is earning 1/2 share a month, regardless if they are actively adventuring or not. I still assume that whatever money they take in, they are spending just as much enjoying a more affluent lifestyle. They just don’t have to work at it as much as others.

This means if typical PCs take a job for 1 share, they’ll net ½ a share in profit at the end of the month. Remember they spend about half a share each month in expenses and adventuring takes away from time spent making a steady income. That PC with a wealthy edge will be walking away with a full share of profit instead. They aren’t penalized for spending time adventuring (it’s nice to live off interest, a trust fund, etc.).

For PCs with a poverty hindrance, they don’t gain ½ a share income every month like other players. So while other players can keep their heads above water and net a little profit leading a life of adventure, that poor PC will always be digging into their pockets a bit more. These guys have to always be on the prowl for work and always be looking for some manner of employment. While others have enough resources to get by, idleness will slowly grind PCs with the poverty hindrance into the ground. They just can’t get the typical monthly income other players get.

I like how this works for my game. PCs slowly accumulate their shares of wealth. Every month of game time I tell players to dock off half a share for expenses. If a lot of time has passed where they haven’t done anything noteworthy, their wealth is unchanged (they spend their time earning as much as they are spending). PCs with a wealthy edge don’t worry about having to spend ½ a share for upkeep, as they get that automatically and spend it every month. PCs with a poverty hindrance might have to worry about being an idle adventurer for too long as their shares of wealth can slowly be whittled away.

It’s pretty simple. I can quickly translate it to actual dollars when they need to spend something. More importantly, the bookkeeping is manageable and I don’t have to have players counting silver coins each time they hit up an inn for a belly of food, a pint of ale, and a place to rest their head.

Savage Space – A fan made Savage Worlds sci-fi supplement

A while back I covered a Borderlands-inspired setting for Savage Worlds. I wanted to take some time and bring attention to another wonderful fan-made sci-fi supplement, Savage Space. Folks that follow my blog might recall that I considered running Traveller for one of my games. I ended up using Savage Worlds making my own conversion rules but much of the game I lifted stuff from Marcus “Chaosmeister” Burggraf’s amazing sci-fi companion.

I feel dirty using it, as it’s such a great space opera set of rules. I am a huge fan of settings that don’t go hog wild with edges and skills, and instead just add a dollop to the base rules. Savage Worlds is flexible that can fit a lot of genres. So settings that embrace that and amend what is necessary is appreciated.

You get a surprisingly thorough treatment of sci-fi rules with Savage Space. There are a few select knowledge skills. There is a replacement of climbing and swimming with an all encompassing athletics skill, which is something I’ve sort of adopted for my other games as well. Alien creation rules are missing primarily as much of this is covered in the regular rules with racial backgrounds. Cyberware however is something that is covered a bit more, primarily as it can be acquired as equipment of sorts replacing natural limbs with cybernetic ones.

I like the approach done with starships, making them have characteristics like characters. Ship to ship combat is covered more of a general outline in the rules. I think the author admitted these are a little limited in scope, but they provide a good basis for a system. You might need to work a bit more to fit it into your game however in practice (or lift rules from another setting or game). One tremendously useful part of the rules is an adventure generator, providing seeds for some classic space opera missions as well as some more scoundrel, mercenary-type tasks.

It’s not a complete sci-fi setting, as there are no rules for creating systems or planets. However that’s something that can be lifted easily from other game systems. The equipment section is rather complete having a lot of your typical gear and equipment that aspiring star travelers would have for their adventures. As expected there are a variety of weapons with differing technology levels, as well as more mundane and exotic technological gear.

It really is a wonderful set of rules for running a classic space opera game. It may not be a complete setting with a larger campaign detailed out for the universe, but it does have some great bits that can be lifted out and plopped into your own hacked sci-fi campaign. The setting background they provide is brief and paper thin. However the theme of the companion rules is for a generic space opera, so not having a detailed universe setting is expected. Savage Space is a great fan-made set of rules for Savage Worlds, check it out if wanting to run a sci-fi game.

Coventry – A fan-made Savage Worlds Setting

Continually I do see some discussion or a person pondering writing up a fan-made setting, when someone will aptly point out there are already some excellent ones available. As someone mentioned over in the G+ Savage Worlds community there seems to be a lack of reviews and/or awareness that these great fan-made settings are out in the wild. I could mention some great sites that culminate a lot of different fan-made Savage Worlds content. However I think it worthwhile to spend a little time highlighting some particularly good ones that folks have written up.

Borderlands is a popular video game and quite frequently I see in my blog and social feeds about some wanting to visit that as a setting, and continually I point to John Robey’s Coventry. It’s a fantastic job at taking a stab at the Borderlands setting all the while adding some more flavor to make it stand apart.

In a nutshell, Coventry is a planet rich in a resource commonly referred to as Indigo. It’s an immense power source that is exceedingly rare and seems to be abundant on the quarantined world of Coventry. The planet is spoils of a sprawling interstellar war where a terran corporation, Indicorp, took control of the planet. Control is a very loose word though, as their presence is maintained only as large ships and satellite bases in high orbit over the planet.

Coventry has become a prison planet. It is typically a one way trip. Players might be able to garner enough favor with Indicorp to gain a pardon, but most enter into a 25 year contract of indentured servitude. Not all the human residents maintain an allegiance with Indicorp, and there are a few independent settlements on the planet. Unfortunately, they are stuck there as any attempts to launch a craft are thwarted by the defense net of Indicorp in high orbit. It’s like a space version Escape from New York and I love it.

Add to that weirdness, humans were not the only races that settled on Coventry. Rakashan (cat-like predator species) and Avion (winged humanoid lizard beings) also were early colonists that ended up being stuck on Coventry due to the war. Most have adopted to life on the planet and have decent relations to humans provided they keep to their borders, but among each other things are rather strained (seems Rakashan find Avions rather delicious). Add to this eccentric mix the mysterious fungal Mi-Go. The Mi-Go are truly space-traveling aliens modeled after the Cthulhu mythos. They are otherworldly and have their own unknown purpose and agendas.

Players can select any of these races, along with sentient robots, and all are fleshed out rather well. To jump start the character generation process, there are several pre-made archetypes that model the Borderlands characters, as well as incorporate some of the new races.

Like the video game, guns and gear are significant part of the setting. There are a few options for weapons and included are various types of ammunition for each, allowing for a lot of fun tricking out of firearms. Another interesting bit of protective equipment are personal shields.

These shields add a die type to your toughness and each hit reduces the shield defense by one step. Every turn the shield will recharge up a step to it’s maximum defense die. So you’ve got this constant yo-yo defensive boon that ebbs and flows as players are hit. Given that the standard damage for most firearms are 2d8, the PCs need some sort of protection as the game can be rather lethal. It’s a very clever system that matches the Borderlands gameplay pretty well.

Another key part of the game is transmat technology. This is a type of teleporter technology with a wrinkle, an object can be stored as digital data and retrieved remotely. This has led to GotJFree tech. Basically players can have a unit that monitors their lifesigns and upon termination, can store the user’s biological data for a limited time until it is derezzed later. In effect it’s a limited type of immortality (provided the GotJFree unit isn’t vaporized along with its wearer). Different types of units allow for longer storage times, as well as automatic pattern data transmission to central locations. I love it. It’s like a respawn system.

Some people might be put off by the shields and derezz technology, trivializing the lethality of the game. I actually feel that is part of the charm of the setting. It encourages a lot of balls-out crazy behavior as aside from bennies, players have a lot of means to effectively get a do-over. And this works, as the world itself is supposed to be a bit mad. Indigo warps the wildlife, the landscape, and people that are around it too long tend to go a little bonkers.

Some more comments about the setting rules, they are presented in a colorful manner and are professionally done. There are well-written tables, a broad atlas of the world, along with an index of lingo and terminology. What I particularly like is there aren’t tons and tons of new rules, edges, and hindrances. It’s all done very sparingly but at the same time offers something new. Coventry offers a fresh setting, with a wonderful take on the Borderlands world. Give it a try and at the very least, give it a look. There is a lot of interesting ideas and material that can be mined for your own game.

Plot Crawl Campaign – Running my Cthulhu game with a pile of props

As I blogged about a while back, I am running a 1920s Cthulhu game on the side along with my regular Weird West campaign. I lifted an idea from the Secret Cabal Podcast which I found rather inspiring. Rather than your typical game where someone would initially approach the investigators to tackle a specific mission looking into the supernatural, instead it would be based on what the players wanted to look into. It’s a plot crawl campaign.

It’s much like your good old fashioned hex crawl game. While there isn’t a map of randomly generated content, it’s open ended to allow players to go where they will. Like a hex crawl game, a plot crawl has adventure seeds acting like a map of sorts with a few details laid out to grab the player’s interest. They make the choice where to go and what to look into. Sometimes more choices might branch out depending on what they investigate, but they can turn around and poke their heads into another ‘section of the map’ investigating some other adventure plot if they want to.

It’s designed to run very much as an episodic game. There really isn’t any over arching story. As things progress, you can have recurring villains, NPCs, and past events to weave back in as details if needed. It’s immensely flexible as you can tailor the game to deal with past events and players, building up a larger story, or just go for the ‘serial adventure of the week’ format instead. None of this has to be planned out either. You just think of 4 or 5 different adventure seeds and run with it. The details will be fleshed out as the game is played.

My players started the session being called together by a lawyer overseeing the estate of a recently deceased professor. All of them knew the person and had a relationship with him (be it a relative, colleague, etc.). They were each individually named in the will to be present for the opening of a trunk of the professor’s belongings. They were all led into a room, given a key to a small trunk, and left alone to go through the contents.

Inside the trunk they found different files, photographs, and other tidbits of strange information. I had made up a series of props in the manner of photographs, handwritten letters, and fake newspaper clippings. Each group of clues were given codes to match as a set (so all the clues for adventure G were together, while ones for adventure B were in another set, etc.). The players could rifle through the papers and pictures, and decide what they wanted to investigate.

For my first setting, I did kick things into high gear having the lawyer killed under exceedingly strange circumstances. This was followed up with the players being hunted by undead lackeys. All of it emphasizing that the strange did exist, and there were evil forces at play which knew the players had knowledge to secrets better left unknown.

However at the end of the session I gave the players a task. They needed to continue going through the contents of the trunk and decide that night what they wanted to investigate as a group for the next session. All the clues were fragments of some story, location, or odd supernatural thing. I made it a point that there were more papers and files within the trunk (meaning I would add more to the trunk later), however there were 5 different sets of clues and props for them to go through at first.

This really worked well for the group. It was a task to have them decide on what to do next (expect at least 30 minutes or so at your table). However it really cemented the feeling of them investigating these clues of weird, strange events. That there was another layer of occult existence under the normal world around them, and they were slowly unearthing it. Best of all, I knew exactly what the next adventure would be and it was based on what the PCs wanted to investigate further.

It is a bit of a chore to create some convincing props. However I didn’t have to flesh out any adventures. I just needed some ideas of a location, possible NPCs, and some weird thing for the PCs to look into. So you don’t have to have six different adventures fully prepared at the beginning, just a few ideas presented as six different sets of clues. As the players pick what they want to look into, I can turn around and work on that adventure specifically. Since many of the details were rather vague, I could even use an adventure generator for assembling the next adventure if needed. It really is a surprisingly flexible way of providing adventure seeds where the players get to give input on where to go next.

Something like this can be adopted for other settings and I am really beginning to take a shine to it. Maybe it would be printed public notices posted around a fantasy city, or an infonet log players would look through in a sci-fi campaign. Either way, all I would have to do is sketch out a few ideas and let the players decide what they wanted to check out next at the end of the session. If you are struggling to think of ideas for your next campaign consider running a plot crawl, with props and leads for the players they can provide some inspiration for further game sessions.